About

A soprano with a particular affinity for Baroque and Classical repertoire, she has developed an international career spanning opera, oratorio and chamber music. She appears at renowned European concert halls and festivals, collaborating with distinguished conductors, ensembles and singers. Her artistic interests also reach beyond the boundaries of the classical repertoire. Through her own projects, she brings different musical worlds together, continually seeking fresh and unexpected connections between classical tradition and popular music.

Among the highlights of her career is her debut at the Elbphilharmonie Hamburg with lautten compagney BERLIN and the Monteverdi Chor Hamburg under Antonius Adamske, where she performed Venus in Blow’s Venus and Adonis and Dido in Purcell’s Dido and Aeneas. At the Opera Rara Festival, she appeared as Ismene in Mozart’s Mitridate, re di Ponto under Philippe Jaroussky, while at the Potsdamer Winteroper she sang Maria in Schubert’s Lazarus under Trevor Pinnock. She has also performed with Christina Pluhar and L’Arpeggiata at the Baltic Sea Festival in Stockholm, alongside Céline Scheen, Luciana Mancini, Vincenzo Capezzuto, Alessandro Giangrande and João Fernandes; appeared in concert with Andreas Scholl at the Goldberg Festival; and shared the stage with Rolando Villazón in Herrenhausen, Hanover.

Her operatic repertoire includes the title role in Alessandro Scarlatti’s Griselda, which she performed alongside Sonia Prina with Il Suonar Parlante under Vittorio Ghielmi at the All’improvviso Festival, as well as the title role in Handel’s Semele under Howard Arman. She has also appeared as Eurydice in Gluck’s Orphée et Eurydice (Paris version, 1774), alongside Juan Sancho under Camille Delaforge.

At the Warsaw Chamber Opera, she made a successful debut as Cleopatra in Handel’s Giulio Cesare, appearing alongside Yuriy Mynenko, Nicholas Tamagna and Ray Chenez under Adam Banaszak. Her interpretation was warmly received by both audiences and critics. Her Handel repertoire also includes Galatea in Acis and Galatea at the Polish Royal Opera under Krzysztof Garstka.

As La Madre in Stradella’s San Giovanni Battista, she appeared alongside Topi Lehtipuu and Silvia Frigato at Teatro Carlo Felice in Genoa and at the Ravenna Festival, with Ensemble Mare Nostrum under Andrea De Carlo. The performance was selected by OperaClick for Il Meglio del 2021 as one of the year’s outstanding musical events. Her collaborations with Martyna Pastuszka include a performance with the Orquesta Barroca de Sevilla at Espacio Turina in Seville, the role of Segimiro in Johann Adolf Hasse’s Arminio in Prague, Mozart’s Requiem at NOSPR with The Marian Consort, as well as their joint project CANTAR E PIZZICAR.

Further stage roles include Dido in Purcell’s Dido and Aeneas under Dirk Vermeulen, Orlando in the concert version of Wilhelmine von Bayreuth’s Argenore under Antonius Adamske, Euridice in Gluck’s Orfeo ed Euridice under Paul Esswood, and Cuzzoni in Cuzzoni & Bordoni, Rival Queens, alongside Anna Radziejewska under the musical direction of Lilianna Stawarz.

Oratorio and sacred music form an important part of her repertoire. At the National Philharmonic in Warsaw, she performed the soprano part in Bach’s St Matthew Passion under Jan Willem de Vriend, alongside artists including Jess Dandy and Laurence Kilsby. At the invitation of Academy Award-winning composer Jan A.P. Kaczmarek, she also appeared at the Transatlantyk Festival with the Transatlantyk Symphony Orchestra under Maciej Sztor.

Recording forms another significant part of her artistic work. Her recording of Mozart’s Requiem with Maya Gour, Benjamin Hulett and Rafał Siwek, the MACV Orchestra and Vocal Ensemble of the Warsaw Chamber Opera under Adam Banaszak was nominated for the 2026 International Classical Music Awards. For ARCANA, she recorded the title role in Stradella’s La Circe at the Festival Barocco Alessandro Stradella with Ensemble Mare Nostrum and Mauro Borgioni under Andrea De Carlo, as well as the role of Madre in Melani’s Santa Rosa.

Her discography also includes two albums of reconstructed works by Giovanni Simone Mayr with Concerto de Bassus, released by NAXOS; Szymanowski’s Słopiewnie with Justus Zeyen; and works by Hasse with Mädchenchor Hannover under Andreas Felber. She also recorded music for Bohuslav Martinů’s ballet Stín with Ian Hobson and Sinfonia Varsovia at the Witold Lutosławski Concert Studio, Krzysztof A. Janczak’s Ave Maria with the London Symphony Orchestra under Lee Reynolds, and Amen with the Bulgarian Symphony Orchestra under Dean Pavlov.

Her voice can also be heard in film and television productions. She recorded Michał Lorenc’s music for the Canal+ series Zasada przyjemności, as well as music for Stolen Harvest with the Polish Radio Orchestra, the award-winning animated film Even Mice Belong in Heaven, and Black Sheep, with music by Krzysztof A. Janczak.

Alongside her classical career, she founded LAMENTO PROJECT with Alon Sariel (archlute) and Peter Schwebs (double bass). The ensemble brings the expressive tradition of the Baroque lamento into dialogue with popular music, exploring connections between musical languages separated by centuries. The project’s first studio EP was released in 2022. In 2024, she also recorded the EP Handel Shorts with Alon Sariel and Rafał Tomkiewicz. Her repertoire extends beyond classical music to include jazz, song and musical theatre.

She completed her vocal studies at the Fryderyk Chopin University of Music in Warsaw, where she studied with Małgorzata Marczewska, and at the Hochschule für Musik, Theater und Medien Hannover, where she studied in the Soloklasse under the artistic guidance of Marek Rzepka and worked on chamber music and Lied repertoire with Jan Philip Schulze. She further developed her vocal artistry with Teresa Księżak, Zofia Witkowska and Claudia Visca in Vienna.